Dean Kaelin shows how to give a singer a loud, aggressive, even extreme sound without the wear and tear — live, with two very different students.

Dean Kaelin closes the IVTOM conference by answering the question teachers get most: what do you do when a working singer wants to keep their sound but stop wearing out their voice? You'll see him define falsetto, chest and mix as formant-harmonic relationships (F1H1, F1H2, F2H3/H4), then coach a touring rock vocalist out of pulled-up weight using lip bubbles, double-resistor sounds, tongue-out release, slides and glides, narrow vowels through the bridge and a dropped jaw above it — plus an intro to fry and overdrive for extreme styles. A second student demonstrates classical, musical theatre, Broadway and belt colors from one mixed coordination. For teachers who want power without pressure.