Saunders-Barton: Teaching Actors to Sing, Story First
Before the breath, before the word, a lot has already been decided. Mary Saunders-Barton opens with her pre-phonatory checklist — the givens (pitch, key, style, staging, lyric) versus the variables (timbre, registration, resonance, onset, vibrato) — plus the dramatic "moment before": intention, focus, stakes. From there you'll work outward: finding a student's modal speaking center, stretching it into elevated speech, and mapping where belt actually lives (roughly G4 to D5, with high belt above). She makes the case for gender-neutral, cross-trained pedagogy and shares a vowel-integration exercise. The long Q&A is worth the price alone — woofy pulled-down middle voices, closed vowels, students trapped monitoring their own tone, and vocal overuse.