Lissemore makes the case for training men through falsetto — the exercises, the exact starting pitches, and why most teachers begin far too high.

Most teachers barely touch falsetto as a training tool. This session argues it should be central. You'll learn what falsetto actually is mechanically — vocal ligament only, no medial compression, lower contact quotient — and the specific affordances it gives you: stretching a man into his upper range without fatigue, stabilizing laryngeal position, strengthening the fundamental, and refining vowels and articulation. You get the exercise sequence (descending glissandi, sirens, descending scales and arpeggios on five vowels, falsetto-primed inverted arpeggios, messa di voce), where falsetto meets chest by voice type, and firm guidance on repertoire and patience with young male voices. Includes live coaching.